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WRY WRY WRY kuzu da WRY

I'm a Jojobrain.

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  1. http://eyecaging.tumblr.com/post/82631432223/no-more-cghub-sad-day-project-cghub-is

    eyecaging:

    "No more CGHUB.

    Sad day. Project CGHUB is officially closed.

    The reason behind this extremely tough decision is personal and will remain private. It’s absolutely not connected with business or any kind of technical difficulties.
    On behalf of development team I would like to…

    :C

  2. ask-young-dio-and-jonathan:

Hi! 僕はジョナサン、この子はディオ! 僕達に何でも質問してね(*^^*) We also accept English questions ! (We’re afraid of our expressions may be rude or hard to read, because we’re not so good at English )
ask-young-dio-and-jonathan:

Hi! 僕はジョナサン、この子はディオ! 僕達に何でも質問してね(*^^*) We also accept English questions ! (We’re afraid of our expressions may be rude or hard to read, because we’re not so good at English )
    High Resolution

    ask-young-dio-and-jonathan:

    Hi! 僕はジョナサン、この子はディオ!
    僕達に何でも質問してね(*^^*)
    We also accept English questions !
    (We’re afraid of our expressions may be rude or hard to read, because we’re not so good at English )

  3. iyori:

    Not-really Vday comic that wasn’t finished in time for Vday anyway

    The moral of this story is that everything will be okay with ice-cream

    Okuyasu, I feel you deeply, yours is a feeling I feel deeply

  4. lalage:

happy valentine’s DIO day masterofmonster i apologize profusely for the unfunny joke ;_; love, your terwryble jojo secret valentine
i always thought the shape of pucci’s hairline + eyebrows made a star, which would surely displease dio bc dio clearly prefers hearts) so when I got your dio & pucci prompt all I could think of was this..

IT’S A GOOD LOOK IT’S EASIER TO DRAW THAN A STAR

    lalage:

    happy valentine’s DIO day masterofmonster i apologize profusely for the unfunny joke ;_; love, your terwryble jojo secret valentine

    i always thought the shape of pucci’s hairline + eyebrows made a star, which would surely displease dio bc dio clearly prefers hearts) so when I got your dio & pucci prompt all I could think of was this..

    IT’S A GOOD LOOK IT’S EASIER TO DRAW THAN A STAR

  5. brainjail asked: First, thanks for leading me to Old City Blues, looks good! I like the MGS fan art, and I'm curious when in the creative process you decided to skip on the faces? I'm sure you know Mike Mignola does it a whole bunch, and I was wondering what you consider "the right time"? Thanks.

    jakewyattriot:

    That’s a good question! Short answer: I like drawing faces, plan to keep drawing faces for a long time to come. But the last drawings I’ve posted have been SUPER TINY, and when a head (or any object) gets too small to render with appeal, I drop the level of detail.

    Long answer: there are a few major principles that inform those decisions.

    The first principle, I guess, is that draftsmanship (the accurate linear representation of forms and detail) should be subordinate to design (deliberate editorial choices in representation). Just because you CAN draw something doesn’t mean you have to, or that you should. Or that you shouldn’t. Mignola is a great one to bring up here, and I’m glad you did!

    The first cover for Seed of Destruction is RAD. And you can really see Mignola’s draftsmanship coming through. He’s drawing the hell out of that toolbelt. He’s drawing the hell out of that gun, that statue, that chain, and every damn fold in that jacket. He is DRAWING. We should all try to draw that well!

    image

    The first cover to Hellboy in Hell is RAD. And you can really see Mignola’s design coming through. He designs the hell of that composition, isolating Hellboy in a field of black. He’s designing the hell out of those figures, eliminating extraneous detail and letting the gesture tell the story. He’s paring down and doing more with less. He is DESIGNING. We should all try to design that well.

    image

    Both approaches are really effective, but only because Mignola is both a great draftsman AND a great designer. Even detail-heavy guys, like Ueyama, will simplify when a figure shrinks to a certain size, and it becomes more appealing to remove detail than add it. Ueyama draws the shit out of EVERYTHING, but he never lets his (frankly incredible) draftsmanship override his design.

    image

    SO yeah. Draw really well. And be conscientious about how you design your drawing, how you bring your skills to bear, what you include and what you excise. There’s really not a ‘right’ answer to draftsmanship vs design, as long as you’re making conscious decisions. The only wrong answer is to thoughtlessly draw without even considering the question.

    The other principle is that the right gesture can say it all. You can say almost anything with a figure that you could say with a face. You don’t need a close-up to show emotion or character. Drawing is communication, and if you’re doing it right, gesture can be the whole sentence, with the face as punctuation. Michael Dudok De Wit is a master of this. Check out his film, Father and Daughter. So much emotion. No faces.

    I tried to pull  off faceless acting in my own film a few years ago, with mixed success.

    So, yeah. Once you’re prioritizing design over draftsmanship, and comfortable with gesture as expression, you can just make whatever call you like! Faces and figures, details and deletions, all are YOURS TO COMMAND!!!

    It’s your drawing, right? Own it!

    -Jake Wyatt

  6. melonbox010:

    I just received both kuzu and fenix’s art trades (just two days apart! hehe) and i wanna say thank you both so much! I wasn’t able to go for CF last year in December and drop by your booths so i’m super glad i managed to somehow do the Jojo art trade with you two yikes… ;_;

    also thank you fenix for the extra Kakyoin~!!! So cool, damn it…

    um, and; your giomis(es) are perfect, thank you so much… -q- (drool…..

    i hope to meet you two one day and talk about jojos!

    Hey, that took faster than I expected! Thanks again for the super cute drawing ehehehe. Hope to meet you one day too!

  7. Dear people who upload my doujin,

    sanuki-s:

    Hi, I am 讃岐そば太郎.
    I have decided to write to you, because I wanted to make my point clear about redistribution of my pics and doujin.

    Usually I am happy to see my works being translated and I even enjoy reading them. I don’t stop people from translating my works and redistributing it.

    But I am definitely against redistribution of a whole copy of doujin(book).

    Recently I have found my copy of doujin, The Record being translated and shared on web. It was a full copy of my doujin.

    Please understand the fact that I am actually selling doujin.
    It is completely different from what I am doing on web.

    I pay money to print it and pay even more to join doujin events.
    I pay to send doujin to event halls and pay to send it back to my home.
    I pay for my own transportation and I pay to hire people who sell my doujin on events(I pay for their working-hours, lunch, and transportation).

    And people who are interested in my works also pay to read it.

    I understand the fact that it is not easy to buy doujin abroad, and I guess even if it was available, you might feel that it is too expensive.

    But even in Japan, doujin is not so cheap.
    It is not cheap for both creators and readers.

    If you think it is not worth the money your paying or you have to pay,
    just stick with what you can find on web. 
    Stay away from uploading copies of doujin.

    There are creators who really make money and earn living from doujin, but those who can do so, are minority. Most of us pay more than what we earn, but we still want to enjoy doujin as a hobby(or at least I do).

    But obviously, if I can’t afford it, I have to start using my time for something else and give up on writing(creating manga doesn’t happen in a flash). That’s the last thing which will happen if people continue to upload my doujin on web. 

    I think I have made my point clear and I hope there are people who support what I am saying.

    Also, I would like to articulate that what I wrote here is only “in my case”.

    There are doujin-creators who are totally against redistribution of whatever they make or upload on web(“In my case” I don’t mind poeple to redistribute what I have already uploaded on web/usually it is pics and doujin-samples). 

    In that case you might find your self in trouble, so try asking the creator or if you find the word “転載禁止”, stay away from it.

    Thanks for reading.

    2014.1 讃岐そば太郎

  8. gomigomipomi:

    My friends inspired me. This is half based on the official Adventure Time comic which you can read the previews here to get the full joke.

    I’m also sorry for ruining Marceline’s character. (She’s also my fav) m(- -)m

  9. silentmight:

    learning new words in the Brando household

  10. "文庫版ジョジョ6部最終巻の荒木先生のあとがき
     
    ————————————————————-
     
    第6部『ストーンオーシャン』 あとがき
     
    このあとがきのコメントは実をいうとありません。
    この『ジョジョの奇妙な冒険Part6 ストーンオーシャン』でスタンド能力としては(作者自身の感覚としては)
    けっこう描ききった感が当時あって、アイディア的に究極に達してしまったのかな?と創作的な満足感を味わったのです。
    「時間」が、どんどん人間の感覚より速くなって行って、無限に、考え得る限りの無限にーーー近づいて行く。ーーー
    これ以上のスタンド能力ってもうないだろう。凄いのなんて、もうないな。
    アイディアは究極へ達した、そう思ってしまったのです。
    「満足感」とか「達成感」という感覚は、けっこう危険な領域の感覚なのでは?と常日頃思っていて、つまり
    「全てOKしちゃって、もう何もいらないや」
    という状態は人間としても漫画家としても、あるいは社会や文明の発展としても科学としても哲学としても、芸術としてもきっとヤバイ事に違いない。
    燃え尽きる恋愛。もしくは闘い終わった”あしたのジョー”。人間はきっと何かを達成したり満足するために行動するのだろうけど、満足したらその後どうする?
    それがこのストーンオーシャンを描き終わった後の矛盾した感覚でした。
     
    主人公の空条徐倫は、求める父親からの愛情の空虚さが心の底にあって、それゆえ、交通事故を引き起こし、投獄されました。
    そして、逆に父を助ける行動で、ひとりの女性として成長して行く。主人公の成長物語としては達成してしまった。そのあとどうする?・・・漫画制作的にそう思ってしまいました。
    つまり描く事はもうないな。終わったな。「ジョジョの奇妙な冒険」はもう究極に達してしまったな。
    それがこの「ストーンオーシャン」です。ーーーーー以上。
    ・・・・・・・・・・・・・・・・・・・・・・・・・・・
    ・・・・・・・・・・・・・・・・・・・・・・・・・・・
    ・・・・・・・・・・・・・・・・・・・・・・・・・・・
    ・・・・・・・・・・・・・・・・・・・・・・・・・・・
    ・・・・・・・・・・・・・・・・・・・・・・・・・・・
    ・・・・・いや、やっぱりヤだな。それはなんか、うぬぼれなのかもしれない。かなりヤバイ、達成感とか思うこと。それ自体がヤバいような。赤信号が点滅しました。
    どおしよう?本当にどおしよう?「そうだ!」そう思いました。
     
    原点に返ろう。イタリアのルネッサンスは古代ギリシャやローマ時代の概念に返ったから起こったんだ。
    フランスの画家のゴーギャンは、タヒチという原始に返って新しい絵画を生みだしたんだ。
    ラストのボス・プッチ神父のスタンド能力をさらにパワーアップさせよう。そうすりゃあ、時間も主人公たちも血統も宇宙一周して原始に返れる。
    ジョジョの奇妙な冒険ーー現代文明を捨てて自然に返ろう。
    それが当時、終了直前に変更して描いた、「ストーンオーシャン」のラストです。しかもノスタルジイの感覚も出せた。空条徐倫の記憶は別のものだが、愛と情は残って永遠のものとなり、きっと成長して行くでしょう。
    そしてーーーーーー
    ジョジョの奇妙な冒険の次の第7部の主人公は、自然と闘い、自然から学んで成長して行く主人公にしよう。タイトルは「スティール・ボール・ラン(仮)」か?
    そう思いながら、当時、この第6部を描き終えました。本来なら、こういった事は言ったり書いたりすべき事ではないのかもしれない。
    でも作者本人のあとがきですからね。そういうあとがきです。
    荒木飛呂彦"